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Biography
Solo
exhibitions
Group
exhibition
Collections
Screenings
Broadcasts
Publications
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Biography
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| 1966 |
Paul
Harrison was born in Wolverhampton, GB,
he lives and works in Bristol |
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| 1969 |
John
Wood was born in Hong Kong,
he lives and works in Shropshire and Bristol |
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| 1991 |
both artists are graduating
from Bath College of Higher Education. First joined projects. |
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| 1993 |
Starting to collaborate on
a permanent basis |
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| 1994 |
South West Arts, Film and
Video Production Award |
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| 1995 |
West Midlands Arts, Bursary
Award (Film and Video) |
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| 1996 |
Expanding Pictures,
BBC 2 & Arts Council Broadcast Commision |
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| 1997 |
European Media Arts, Residency
Exchange |
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South West Media Development
Agency Production Award |
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West Midlands Arts, Film and
Video Production Award |
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| 1998 |
Artima, Commission
and Residency, Hungary |
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West Midlands Arts, New Work
and Commissions Award |
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Flood, Worcester City
Council Commission |
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| 2000 |
South West Arts, Commissions
Fund |
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West Midlands Arts, Creative
Ambition Award |
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| 2004 |
Visual Arts Grant, Arts Council
England |
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Solo exhibitions |
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| 2004/05 |
Notebook, Middlesbrough Institute
of Modern Art (MIMA), Middlesbrough, GB |
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| 2004 |
dialogue
series #5: Wood & Harrison | Tobias Putrih, Galerie Markus
Richter, Berlin |
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Art Now/ Lightbox, Tate Britain,
London |
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Selected works,
MIT List Visual Arts Center, Massachusetts, USA |
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| 2003 |
Luton, Mercer Union,
Toronto, Ontario, Canada |
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Hundredweight, FA Projects,
London |
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| 2002 |
John
Wood & Paul Harrison,
Galerie Markus Richter, Berlin |
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Twenty Six (Drawing and
Falling Things),
Chisenhale Gallery, London; Northern Gallery for Contemporary Art,
Sunderland and Newlyn Art Gallery, Newlyn, GB |
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| 1999 |
Obstacle Course and Other
Works,
First Site / The Minories, Colchester; John Hansard Gallery, Southampton;
Mead Gallery, Warwick; Lighthouse, Wolverhampton, GB |
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| 1998 |
Selected Works, Gallerie
Articule, Montreal, Canada |
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| 1996 |
Selected Works, Crawford
Art Gallery, Cork, GB |
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Group exhibitions |
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| 2005 |
Irreducible,
Wattis Institute for Contemporary Art, San Francisco |
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- tainment,
NGBK Neue Gesellschaft für Bildende Kunst, Berlin |
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| 2004 |
Density+/0, Ecole
Nationale Superieure des BeauxArts, Paris and Centre d’art contemporain
Fri-Art, Fribourg, CH |
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MoMA QNS Video Installations,
Museum of Modern Art / MoMa Qns, New York |
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| 2003 |
A Century of Artists Film
in Britain Tate Britain, London |
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Printemps de septembre,
Toulouse, France |
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Occurrences: the performative space
of video,
Betty Rymer Gallery / The School of the Art Institute of Chicago,
Chicago |
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| 2002 |
Sudden Glory, CCAC
Institute, CA, USA |
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Gwangju Biennale, Gwangju,
South Korea |
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Still Life, British
Council Touring Exhibition, Chile/Mexico |
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Exhibition, le corps en
situation, Ecole superieure des Beaux-Arts, Le Mans, France |
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Modesty, Pavel-House,
Laafeld, Austria |
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Dichotomy, Schauspielhaus,
Vienna, Austria |
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| 2001 |
Monitor: Volume One,
Gagosian Gallery, New York |
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Lets Go to Work 2,
Susquahana Art Museum, USA |
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Body
Worlds, basement, Galerie Markus Richter, Berlin |
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Video Project Room,
Anthony Wilkinson Gallery, London |
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| 2000 |
British Art Show 5,
Still Gallery, Edinburgh;
City Gallery Southampton; Chapter, Cardiff
and Birmingham City Art Gallery, GB |
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Lets go to work,
Marcel Sitcoske Gallery, San Francisco, USA |
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| 1999 |
This other world of ours,
TV Gallery, Moscow, Russia |
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Triple X, Amsterdam,
The Netherlands |
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Physical Evidence,
Kettles Yard, Cambridge
and Djanogly Gallery, Nottingham, GB |
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| 1998 |
New Video from Great Britain,
Sala Mendosa, Venezuela; Museo Carillo Gil, Mexico
and Contemporary Art Museum, Hawaii |
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Lets Play Risk, Juice,
London |
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Artimia, ICA-Dunaújváros,
Dunaújváros, Hungary |
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Video Fenster, Geneva, Switzerland
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| 1997 |
Partners, Philadelphia
Museum of Art, USA |
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New British Video,
Museum of Modern Art, New York |
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Bittersweet, Whitworth
Gallery, Manchester, GB |
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Video Positive, Bluecoat
Gallery, Liverpool, GB |
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Ostranenie, Bauhaus,
Dessau, Germany |
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| 1996 |
Cell 2, Barbican Centre,
London |
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Electronic Undercurrents,
Royal Museum of Fine Arts, Copenhagen, Denmark |
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Instant, Camden Arts
Centre, London; Tramway, Glasgow and Angel Row Gallery, Nottingham,
GB |
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| 1995 |
Composite, Arnolfini
Gallery, Bristol, GB |
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Sixth Mostyn Open,
Oriel Mostyn Gallery, Llandudno, Wales, GB |
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| 1994 |
East, Norwich Gallery,
Norwich, GB |
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The Reading Room, Camden
Arts Centre, London |
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Collections |
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Arts Council Collection, GB |
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Government Art Collection,
GB |
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British Council Collection,
GB |
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Centre Pompidou, France |
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Museum of Modern Art, New York |
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Tate Gallery, London, GB |
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and private collections in
Europe and the US |
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Screenings [selection] |
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| 2003 |
Shipwrecks and the Sea, Tate Britain,
London |
| 2002 |
Stuttgarter Filmwinter, Stuttgart, Germany |
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Forum de l'lmage, Toulouse, France |
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Stad als Film, Gemeente Schiedam, Schiedam,
NL |
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Les Yeux de l'Ouie, Nancy, France |
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Moderna Museet, Stockholm, Sweden |
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| 2001 |
In The Mean Time,
De Appel, Amsterdam |
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Berlin Biennial, Berlin |
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Reina Sofia, Madrid, Spain |
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Les Yeux de L'ouie,
Centre Cultural Andre Mareux, Nancy, France |
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Eyes look in to the well,
Brandenburgischer Kunstverein, Potsdam, Germany |
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Image Forum Festival,
Tokyo, Japan |
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Wand 5 e.V, Stuttgart, Germany
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Arts Plastiques/ Espai video,
Barcelona, Spain |
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Hedah, Amsterdam, Netherlands
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Video Chroniques, Marseille,
France |
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| 2000 |
Performing Bodies,
Tate Modern, London |
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Dallas Video Festival,
Dallas, USA |
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Royal College of Art, London
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Darklight Film Festival,
Dublin |
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Impakt, Utrecht, Netherlands
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Carte Noire: CineCafe,
Centre Pompidou |
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Imagespassages, SaintJorioz,
France |
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Stuttgart Filmwinter,
Stuttgart, Germany |
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Below 45, London |
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Diagonle, Vienna, Austria
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Viper Festival, Basel,
Switzerland |
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Station Arts Electroniques,
Rennes, France |
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The British Council, Berlin,
German |
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| 1999 |
Fourth Wall, National
Theatre, London |
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AV Dokumentationen,
Stuttgart, Germany |
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De Geuzen Foundation, Amsterdam,
Netherlands |
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Kasseler Documentarfilm,
Kassel, Germany |
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Recontres Video Art Plastique,
Herouville SaintClair, France |
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Tram Video, Lyon, France
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Transmediale, Berlin,
Germany |
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Festival Des Cinema Differents,
Paris, France |
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Videoformes, ClemontFerrand,
France |
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London Regional Art Museum,
London, Canada |
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Shadowline Festival,
Salermo, Italy |
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Oberhausen Short Film Festival,
Germany |
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Europena Media Arts Festival,
Osnabruck, Germany |
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Telvision, University
of the Andes, Bogota, Columbia |
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Festival des 5 sens,
Saint Egreve, France |
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British Council, Rome, Italy
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| 1998 |
Performing Buildings,
Tate Modern, London |
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Sixpackfilm, Vienna,
Austria |
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Art Gallery of Ontario, Toronto,
Canada |
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Architectural Association,
London |
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Dot Gallery, Barcelona, Spain
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11th Recontres Video Art
Plastiques,
Herouville SaintClair, France |
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International video festival
Friesland,
St. Jacobiparochie, Netherlands |
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Video experimental,
Zurich, Switzerland |
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Pandemonium, Lux centre,
London |
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Subfiction, Werkleitz
Biennial, Germany |
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Muu Media Festival,
Helsinki, Finland |
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Montreal Festival Cinema
and New Media, Canada |
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Experimenta Media Arts,
St. Kilda South, Australia |
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Images Festival, Toronto,
Canada |
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European Media Art Festival,
Osnabrück, Germany |
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Viper Festival, Basel,
Switzerland |
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Impakt, Utrecht, The
Netherlands |
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Body Electric, Lux
Cinema, London |
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British Council, Stockholm,
Sweden |
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| 1997 |
Pleasure Dome, Toronto,
Canada |
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Montreal Festival Cinema
& New Media, Canada |
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7th International Video
Week, Geneva, Switzerland |
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| 1996 |
Film Laden, Kassel, Germany
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International Festival
New Film and Video, Split, Croatia |
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Videofest '96, Berlin |
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Cluster Images, Tornitz,
Germany |
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Tokyo Video Festival,
Japan |
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Flights of Fancy, Anthology
of Film Archive, New York |
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Pandaemonium, ICA,
London |
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| 1995 |
29th New York Expo,
New York, USA |
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Forumbhzvideo, Bello
Horizonte, Brazil |
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6th International Video
Festival, Canary Islands |
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European Media Art Festival,
Osnabrück, Germany |
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British Short Film Festival,
London |
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Video Creation Festival,
Alicante, Spain |
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| 1994 |
Copenhagen Film and Video
Festival, Denmark |
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Impakt, Utrecht, Netherlands
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| 1993 |
World One Minute TV,
Brazil |
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Mediawave I, Gyor,
Hungary |
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Broadcasts |
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| 2001 |
SBS, Australia |
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MTV, Europe |
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| 2000 |
TVE Metropolis, Spain |
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| 1999 |
Harry Houdini, Channel
4, GB |
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RAI SAT, Europe |
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| 1998 |
Selected tapes, Arte,
France |
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| 1997 |
Device, BBC2, GB |
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Selected tapes, SAT
3, Germany |
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Boat, TVE, Spain |
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Publications |
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| 2000 |
John Wood and Paul Harrison,
with essays by Charles Esche and David Batchelor, Ellipsis, London |
| 2002 |
Twenty Six (Drawing and
falling things), essay by Claire Doherty. 26 texts inc. contributions
by: Matthew Higgs, Richard Wentworth, David Curtis; Picture This,
Bristol, GB |
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